THE DEFINITIVE GUIDE TO CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They in many cases are yearning romantics, with this big difference: Buster appears a plausible mate, and the Tramp barely appears to possess a libido, only idealized notions. If their comedies had been manufactured in a more liberated time, it is achievable to imagine Keaton in bed with a woman, but disquieting to think of the Tramp being a sexual